
Movie
#1
"2 Hats" in action.
2.98 MB, QuickTime
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"2 Hats"
2004
6 1/2 x 11 x 8 1/2
This
piece is similar in concept to "Comedy
and Tragedy," but with this one I wanted to try something
different for the base, so I put her atop a hatbox. I thought
about calling it "Indecision."
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Movie
#1
"En Pointe" in action.
2.09 MB, QuickTime
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"En Pointe "
2004
6 x 10 1/2 x 6 1/2
After
thinking about a simpler female figure to make I thought a dancer
standing on her toes would be a good challenge. When the key
is pressed she raises her arms over her head. Isn't she beautiful?
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Movie
#1
"Time Machine" in action.
2.98 MB, QuickTime
Movie
#2
Close-up of "Time Machine" working.
3.15 MB, QuickTime
Movie
#3
Look at the mechanisms.
2.85 MB, QuickTime
Movie
#4
Close-up of the complex "readout" mechanism.
1.38 MB, QuickTime
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"Time Machine"
2004
14 1/2 x 29 1/2 x 20 1/2
This
piece was made for a professor who had seen my "Man
vs. Machine" at a previous Ann Arbor show. He commissioned me to do a time machine version as he was into mid-century science
fiction and such. The mechanisms got more and more complicated as
the piece developed (see detail photos of mechanisms). The most complicated
and time consuming part was the 'year' with the 4-digit readout.
It was one of those things that sounds easy but turned out, to get
it to operate properly, more difficult than I had anticipated.
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Movie #1
"Billie" in action.
2.06 MB, QuickTime
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"Billie"
2004
14 1/2 x 32 1/2 x 20 1/2
While
thinking about unsung performers one day, I heard a Billie
Holiday song on the radio and thought she would be a great
subject for a piece. I decided to slant the roof to give it
that old amphitheater feel. The dark blue ceiling and gold
stars complete the effect. When you press the right key, she
swivels her hips. She was one of a kind.
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Movie
#1
"Roebling" in action.
1.84 MB, QuickTime
Movie
#2
Close-up of Roebling in action.
1.47 MB, QuickTime
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"Roebling"
2004
17 1/2 x 33 x 19 1/2
On a recent journey, I saw a great painting of a bridge and a
bridge builder. My wife suggested I do a bridge builder piece.
After a little research, I decided to do it about John Augustus
Roebling and the Suspension Bridge that crosses the Ohio River
in Cincinnati, my birthplace. The painting is taken from a photo
taken around the turn of the 20th century, and I set our hero
off to one side so you could see more of it. The blue on top is
the color the bridge has been painted for about 100 years. I think
there is some discussion to repaint it brown or beige, which,
I think, is a huge mistake.
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Movie
#1
"Handshake" in action.
990 K, QuickTime
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"Handshake"
2004
9 3/4 x 14 3/4 x 9 1/2
This one is influenced by the kind of sideshow banners that tend
to exaggerate the world's "oddities." I decided these
two should be dressed the same to show that people are the same
on the inside no matter what size they are on the outside.
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Movie
#1
See him swallow a sword!
1.66 MB, QuickTime
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"Swordswallower"
2004
8 1/4 x 14 1/4 x 8 1/4
Another classic act, I decided to have him stand on one leg after
I figured out the rod that is attached to the sword has to run
up one of his legs. I love this guy's precarious pose.
P.S. Don't try this at home.
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Movie
#1
See Strongman lift weights!
1.56 MB, QuickTime
Movie
#2
Close-up of Strongman at work
1.63 MB, QuickTime
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"Strongman"
2004
8 1/4 x 14 1/4 x 8 1/4
A classic sideshow act. I really tried to make his body muscular
and barrel-shaped. The carving is much more advanced than my
previous work, but his body and tight outfit demanded that I
spend more time getting it to look right. I really love the way
the figure came out.
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Movie
#1
See a mini-me in action!
1.66 MB, QuickTime
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"Self-portrait"
2004
14 x 29 1/2 x 20 1/2
This was a commission I received from a couple at the Kentuck
show. I never considered doing a self-portrait before and it turned
out to be fun. The piece is about me in the studio. I fabricated
miniature versions of my tables, woodpiles, stacks of paint, various
boxes, and even a painted scene out the window. A small landscape
and a key-operated work in progress sit on the tables. A lightbulb
pops out of my head when you press the right key. "Hey! I
have another idea."
OK, that's enough about me.
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Movie
See "Mark Twain" in
action!
2.2 MB, QuickTime
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"Mark
Twain"
2003
12 1/2 x 29 1/2 x 19 1/2
Someone
left me this note and it seemed to be a great idea. I decided to make
the man at the helm Mark Twain and put him in a fancy suit. I painted
an Ohio River scene behind him that is reminiscent of the area where I
grew up.
Since I wanted the floor to be curved on the outside, I decided to
steam-bend the 6 smaller outer boards. This learning process took a
whole day to finally get the pieces I wanted, but I really think it
was worth it.
People sometimes ask whether I'm sad when I sell a piece. Usually I'm
not, but with this one, selling only a few days after it was complete,
I was sad to see it go so soon. |
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Movie
See "Fortune Teller"
in action
3.7 MB, QuickTime
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"Fortune
Teller"
2003
12 1/2 x 29 1/4 x 19 1/2
This piece is a little darker, in both color and theme, and more
refined than my previous pieces. I wanted to make her face more
realistic and to carve her dress and headdress to look more natural.
Originally I wanted her to hold a crystal ball, but tarot cards
turned out to be a better idea. The candle on the table 'floats'
up and outward in a very mysterious way. |
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"Bob
Dylan"
2003
12 x 30 1/2 x 19 1/2
A man
in Kansas City was interested in "Woody
Guthrie", but asked if I would make him a version with Bob Dylan.
He told me, "I like Woody, but I like Bob even more, could you make
me a Bob?" Normally, when I make my pieces, I stay away from modern
themes and figures, but when someone request a special subject, I usually
bend the rules. This piece surprised me; I really like the way he turned
out and I especially like the marquee.
Note: Although this Dylan commission and "Bob
Dylan Wheel" were made back-to-back, they where completely
unrelated, honest. |
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Movie #1
"Bob Dylan Wheel" in
action, wide
1.6 MB, QuickTime
Movie #2
Closeup
2.3 MB, QuickTime
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"Bob Dylan Wheel"
2003
11 x 11 1/1 x 7
My friend Aaron, who is a huge Dylan fan, saw "Predictions"
and was interested in buying it, until my wife, Paula, suggested
I make a version with Bob spinning the wheel. We all agreed it
was a great idea. When it was completed I think it came out better
than "Predictions". I made the wheel bigger so I could fit 20
of Aaron's favorites songs on it. |
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Movie #1
"Abe" in
action, wide
914K, QuickTime
Movie #2
Closeup
918K, QuickTime
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"Abe"
2003
7 x 11 1/2 x 6 1/2
Abe is seen here tipping his stovepipe hat and standing on a huge copy of his famous Gettysburg Address. |
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Movie
#1
"Predictions,"
Wide-shot
1MB, MPG
Movie
#2
"Predictions,"
Close-up
755K, MPG |
"Predictions"
2002
9 1/2 x 11 1/2 x 7
For a while I've had a drawing in my sketchbook of a "prediction
machine" that hangs on the wall, and thought it would be interesting
make a smaller piece where a figure is actually spinning the wheel.
It took a while to figure out how to make him spin the wheel with
one press of the key. Though it works rather well, you can really
get it going if you hit the key multiple times. |
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Movie
"Leap of Faith"
wide shot
619K, MPG |
"Leap of Faith"
2003
8 x 12 1/2 x 7
This piece was inspired by all those inventors who have ever
dreamt of flying. A dream so strong, that they took it upon themselves
to construct, and test, a contraption that they believed would
enable them to soar with the birds. |
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Movie
See it in action!
1 MB, QuickTime
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"Balancing Books"
2003
7 x 10 1/4 x 6 1/2
I love the way this one turned out, so simple, yet so elegant.
Her arms and legs are proof of my improved carving skills. The
floor is made of small planks of wood and I even turned the table
and carved the books. |
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Movie
See it in action!
1.18 MB, QuickTime
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"Comedy & Tragedy"
2003
7 x 10 1/2 x 6 1/2
This guy switches his mask from Tragedy to Comedy when you press the key. It was challenging to carve the masks without cutting my finger off; (they're so darn small!).
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Movie
See it in action!
850K, QuickTime |
"Hat's Off"
2003
7 x 6 1/2 x 10 1/2
I never
entertained the idea of making small pieces because I was afraid they
would be too simplistic, but after I made a small thank you gift for a
friend, and it turned out so well, I decided to explore the idea.
This is very similar to that original piece, except that I gave our
hero a cowboy hat and boots and I just had to carve two cacti to keep
him from getting lonely. Yee-Haw! |
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Movie
"Woody Guthrie"
wide shot
1.3 MB, MPG
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"Woody Guthrie"
2002
12 x 30 1/2 x 19 1/2
Since the action of the "Snake Handler" worked so well, I thought
of using that same idea of having the figure be more interactive
with the object he's holding. I've always wanted to do a series
of unsung heroes, so Woody with his guitar turned out to be a
good choice. |
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Movie
"Snake Handler"
wide shot
1.3 MB, MPG
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"Snake Handler"
2002
14 x 32 x 19 1/2
The idea for this piece came from my fascination with the unusual practice of snake handling. I also thought it would be interesting to have the figure interact with the snake. He can let the snake slither through his hand but also, he can hold it straight out, as if to offer it to the viewer, and then return it to his other hand. The "stage" is fashioned to look like a primitive church.
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"The Tattooed Lady"
2002
14 x 29 x 19 1/2
To date, this is the most sculptural figure I have produced,
obviously I had to carve her much more realistically than a fully
clothed figure. I wanted this piece to have more of a sideshow
feel to it.
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"Mr. Oddball and Rusty"
2000
17 x 29 x 19
For a while, I toyed with the idea of using other materials for
my figures and I had this idea of a robot, made of metal, named
Rusty. My wife Paula suggested I make two figures instead of one
and make the robot out of wood, not metal. Of course, she was
right, as usual. The two figures are strung together so when you
push down a key they both do the same thing, My story is that
Mr. Oddball designed and built Rusty, and is now teaching him
how to move. I really like how the "detail drawings" on the chalkboard
came out. |
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Movie #1
"Down Boy"
wide shot
924K, MPG
Movie #2
Close-up of "Down, Boy"
412K, MPG |
"Down, Boy"
1999
14 x 21 x 17 1/2
This piece is based on one of my silly drawings. I added a lever
that turns the plate that hold the strings, so the dog can move
from side to side. Since the plate turns, I had to run all the
strings up through a hole in the center. Really quite simple once
I figured it out. |
Series
Of 5
Somewhere, someone suggested I could save a lot of time if I make
multiples of my work. So I decided to make 5 Mr. Oddball themed
pieces. I'm not sure if I really saved any time and I haven't made
multiples since.
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"Mr. Oddball in Paris"
1998
13 x 29 1/2 x 19 1/2
In this piece Mr. Oddball has a nice bottle of wine, a fresh
baguette, and a beret as he tours around Paris. I made all the
floors in this series different; this one is made of walnut. Fancy!
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"Mr. Oddball in Mexico"
1998
13 x 29 1/2 x 19 1/2
I made the front of the floor curved and the backdrop to look
like the interior of a house in Mexico, complete with santos.
Although I've never been to Mexico, this is probably what all
the houses look like.
*This piece is Currently Available.
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"Mr. Oddball in Egypt"
1998
13 x 29 1/2 x 19 1/2
Here, our hero is an archeologist / Indiana Jones type looking
for treasure. I really put a lot of time into the hieroglyphics
on the side, but the results, I think, are worth all the work.
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"Mr. Oddball Juggles"
1998
13 x 29 1/2 x 19 1/2
I always try to think of themes that have a lot of movement involved,
and I had this idea of him juggling in a circus. The wooden balls
have holes through their center, and when you "hit" the right
key, the balls go flying up the strings. Wow! |
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Movie
#1
"Man vs. Machine"
wide shot
919K, MPG
Movie
#2
Close-up showing dials and controls
445K, MPG |
"Man vs. Machine"
1999
13 x 29 1/2 x 19 1/2
On my original Mr. Oddball piece, I thought maybe I could use
the movement of the strings to make decorative items, on the stage,
turn around. With a history of sometimes having ambition end in
frustration, I decided to focus solely on the motion of the figure.
So when I had this idea of a figure operating some sort of time
machine, I thought, finally, I had a chance to use the idea to
make the dials turn around. The time machine idea was way too
specific, and I got so caught up with all the nomenclature, that
I finally decided to make it a generic machine instead. Still
cool though. |
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"Silver Cloud Lounge"
1996
21 x 26 1/2 x 25 1/2
This is the largest and most involved key-operated piece I've
done so far. They all can play their instruments but they really
don't make music. The piano player and the title are inspired
by Tom Waits. |
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"R.I.P."
1995
15 x 33 x 23 1/2
What could be cooler than a dancing skeleton? This piece started
out as a haunted house with a skeleton out front, but in my sketches
the skeleton looked huge, so I changed it to a mausoleum instead.
I even put grave markers inside and if you look with a flashlight,
you can see them. Cool. |
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Movie #1
"The Hacker"
wide shot
922K, MPG
Movie
#2
Close-up of "The Hacker" attacking his computer
446K, MPG |
"The Hacker"
1995
14 1/4 x 25 1/2 x 20
In reaction to the Men Fighting's size, (somehow it got really
huge), I decided to make a "small" piece. I painted the background
full of books to contrast with this guy's attempt to extract information
from his computer. I'm sure there's some sort of ironic message
here. |
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Movie
#1
"Men Fighting"
wide shot
889K, MPG
Movie
#2
Close-up of "Men Fighting"
476K, MPG |
"Men Fighting"
1995
16 x 34 1/2 x 27 1/2
After finishing my first piece, I thought it would be only natural
to make a piece with two figures, and what could be better but
two business men fighting Rock'em Sock'em robot style. This piece
was done with a folk art-type moral message in mind. |
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Movie #1
"Mr. Oddball"
wide shot
919K, MPG
Movie
#2
Close-up of "Mr. Oddball"
446K, MPG |
"Mr. Oddball"
1994
14 x 27 1/2 x 24
This is the very first piece of this type of work,
created way back in 1994. When I was making it, I really didn't
know what I was making, or how it would come out. When it was
finished, I felt like this thing I stumbled upon was something
I could make more of, and expand upon. I finally discovered a
type of artwork that combines my primitive style of carving, my
love for assembling and working with wood, my sort of folk art/naivete
way of painting, my skill for making things look old (aging),
and my fascination for mechanisms. The combination of all these
form something I think is truly unique and is all me. This is
still my favorite piece. |